Nieprawda.
Chodzi tak naprawdę o dwie proste rzeczy:
1. Żeby nie wychodzić z założenia, że twój mail jest dla odbiorcy ważny (w 9 na 10 przypadków nie jest: wszyscy jesteśmy zajęci, wszyscy mamy skrzynki pełne spamu, wszystkim nam trzeba różne rzeczy przypominać, nawet te ważne)
2. Jeśli już ktoś się zainteresuje twoją propozycją wspólnego koncertowania, albo będzie chciał napisać o twojej nowej epce, staraj się mu ułatwić pracę.
W każdym razie, Seth Herman ma do powiedzenia na ten temat dużo więcej i zrobi to dużo lepiej niż ja.
"When emailing a band’s management for the first time, you only have a few chances to get our attention. Mess that up, and your email is lost.
Below is a list of common mistakes and pet peeves from years of receiving emails, along with suggestions for ways to improve your communication to people you do not already know. Reading this will increase your chance of the support slot, or the desired response you hope for.
Remember, we are all people, trying hard to share music, just like you.
Dear Musicians,
You have fans who love your music. Please treat them with respect.
1. Your email list is gold. It is the most effective way to connect with your community. - never send out an email to your fan list (or music industry list) with everyone “CCed”. This is a blatant violation of trust, and you do not have the right to include our email address in such an intrusive way. **If you do need to send out a group email without using an email management program, then “BCC” everyone. - never add my email to your email list, because you think I will listen to your music, or consider you for support, unless I have signed up for your list. Instead, you may write me a personal email asking if it is OK to include me on your email list, with a few sentences about why you think I would like to be on it (...)"
Przeczytaj resztę---> "Music Industry Email Etiquette 101 – For/from people who give a damn." na musicthinktank.com
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